ABOUT
The Book of Rounds: Choral Edition

ON THE PRODUCTION

Produced by Emil Adler and internationally acclaimed recording artist October Project, The Book of Rounds – Choral Edition is performed by Chorus Austin and conducted by Ryan Heller (Artistic Director). Using an innovative approach, Adler added elements of ‘close-up’ pop recording to the more traditional methods of recording a choir in the ‘live’ sound environment of a church. The result is a more intimate, immersive experience for the listener that bridges the worlds of pop and classical music.

Vocal arrangements by Keiji Ishiguri were re-arranged by Heller for large chorus, with vocal supervision by Marina Belica. Grammy winners Ed Boyer, mixing engineer, and Bill Hare, mastering engineer, who specialize in vocal recording and have worked together on Pentatonix and Pitch Perfect among many others, add the finishing touch.

As a bonus, the duet “Eden” is reprised by acclaimed soprano Mela Dailey (Conspirare) and baritone Jonathan Christopher (lead in the National Tour of Hamilton).

October Project Presents
The Book of Rounds—Choral Edition

Written by Julie Flanders & Emil Adler
Produced by Emil Adler & October Project

Performed by Chorus Austin Chamber Ensemble
Conducted by Ryan Heller, Artistic Director

Conceived by Julie Flanders
Arranged by Keiji Ishiguri
Choral re-arrangements by Ryan Heller
Vocal supervision by Marina Belica

Recorded by Thomas van der Brook /Tonehaus
   at Westlake Hills Presbyterian Church (Austin, TX)
   Assisted by Max Lorenzen
Mixed by Ed Boyer /Ed Boyer A Cappella (Ridgefield, CT)
Mastered by Bill Hare /Bill Hare Productions (Milpitas, CA)

Additional recording by
   Matt Gerhard at Public Hi-Fi Studio (Austin, TX)
   Kyle Cassel at Kaleidoscope Sound (Union City, NJ)
   Emil Adler at Tritone Productions (New York, NY)

Published by OPX3 Music/ASCAP
Cover designed by Mick Wieland Design
Cover illustration by Olga Suvarova

Chorus Austin Chamber Ensemble

Sopranos

   Carianne Bernatis
   Annie Blancken
   Claudia Carroll
   Megan Crosson
   Ruth Garcia
   Catherine Huyck
   Adrienne Pedrotti
   Kirsten Smayda

Altos

   Stephanie Andrews
   Alissa Floyd
   Nooshin Ghanbari
   Ashley Oheim
   Mary Smith
   Rebecca Stidolph
   Jennifer Tullis

Tenors

   David Bailey
   Scotty Castro
   Aaron Coronado
   Albert Garcia
   Robbie LaBanca
   Richard Shehulski
   Curtis White

Basses

   Phillip Bernard
   Eric Johnson
   Tom Lawshae
   Juan Martinez
   Brad Merrell
   Steve Overcashier
   Ryan Ransom
   Keiji Ishiguri, piano

Guest artists

   Mela Dailey
   Jonathan Christopher
   Marina Belica

October Project would like to thank:

John Aielli & Eklektikos (KUTX)
Esteban Alvarez
Austin Central Library
AISD Performing Arts Center
Peter Bay
Martha Beck
Carol Bell
Jon Birge
Ed Boyer
Phoebe Cavise
Chorus Austin Children’s Choir
Conspirare – Craig Hella Johnson, Ann McNair
Genesis Presybterian Church
Google Live (Austin)
Hal Leonard – Scott Foss, Emily Crocker
Bill Hare
Charlie Hawkings
Dr. James & Emily John
KMFA
Danielle Marrero
Cristina Moskewicz
The Omega Institute
Daniel Packerd
Lucy Powers
Steve & Lynn Overcashier
Rhythmic Fusion
Sounds True – Tami Simon, Randy Roark
Julie Thomas
Ulrich Vilbois & CTGS
The Virtual Choir of Joy
Voices Rising
Mick Wieland
James Wood
Yale Camerata – Maggie Brooks, Laurie Ongley
Yale Whiffenpoofs

Written by Emil Adler & ACDA Genesis Prize-winner Julie Flanders
Performed by the Chorus Austin Chamber Ensemble
Directed by Ryan Heller, Artistic Director Vocal Arrangements by Keiji Ishiguri
Distributed by The Orchard

October Project™ is Marina Belica, Julie Flanders & Emil Adler